I have a tattoo of an ouroboros on my right arm just below my shoulder. When people ask me what it means, I often find myself at a bit of a loss, because throughout the ages it has meant so many things to so many different cultures. Its most general meaning is cyclicality; the same set of events occurring over and over. The snake eats its own tail, and having received sustenance, grows, because growth is a byproduct of Life. But because it consumes itself, it also dies. Thus neither state—Life or Death—is fully achieved. Rather a balance is held between the two; one inherent within the other.

However that definition has never really satisfied me. We often repeat, yes. . . especially when we won’t learn from our mistakes. But we don’t always mindlessly repeat, either. We aren’t the same person we were twenty years ago or even ten years ago. We evolve, we change. And that evolution, the change within us, comes at a price. But to me that price isn’t something dark or depressing, or something to be feared. In fact, that price is the very definition of “being.”
As I said earlier, I’ve always struggled with trying to explain to people why that should be so. . . until now. Yesterday I came across an excellent essay by Greta Christina entitled Comforting Thoughts about Death That Have Nothing to Do With God, which was first published in the Skeptical Inquirer in 2005. I thought that what she wrote was beautiful and would like to share her words with you. In particular, what she says about loss being an inherent part of change—and why we wouldn’t choose to have it any other way if we really took the time to think about it—perfectly captures what I believe the symbol of the ouroboros truly represents:
Our existence and experience are dependent on the passing of time and on change. No, not dependent—dependent is too weak a word. Time and change are integral to who we are, the foundation of our consciousness, and its warp and weft as well. I can’t imagine what it would mean to be conscious without passing through time and being aware of it. There may be some form of existence outside time, some plane of being in which change and the passage of time is an illusion, but it certainly isn’t ours.
And inherent in change is loss. The passing of time has loss and death woven into it: each new moment kills the moment before it, and its own death is implied by the moment that comes after. There is no way to exist in the world of change without accepting loss, if only the loss of a moment in time: the way the sky looks right now, the motion of the air, the number of birds in the tree outside your window, the temperature, the placement of your body, the position of the people in the street. It’s inherent in the nature of having moments—you never get to have this exact one again.
And a good thing, too. Because all the things that give life joy and meaning—music, conversation, eating, dancing, playing with children, reading, thinking, making love, all of it–are based on time passing, on change, and on the loss of an infinitude of moments passing through us and then behind us. Without loss and death, we don’t get to have existence. We don’t get to have Shakespeare, or sex, or five-spice chicken, without allowing their existence and our experience of them to come into being and then pass on. We don’t get to listen to Louis Armstrong without letting the E-flat disappear and turn into a G. We don’t get to watch Groundhog Day without letting each frame of it pass in front of us for a twenty-fourth of a second and then move on. We don’t get to walk in the forest without walking by each tree and letting it pass behind us; we don’t even get to stand still in the forest and gaze at one tree for hours without seeing the wind blow off a leaf, a bird break off a twig for its nest, the clouds moving behind it, each manifestation of the tree dying and a new one taking its place.
And we wouldn’t want to have it if we could. The alternative would be time frozen, a single frame of the film, with nothing to precede it and nothing to come after. I don’t think any of us would want that. And if we don’t want that, if instead, we want the world of change, the world of music and talking and sex and whatnot, then it is worth our while to accept, and even love, the loss and the death that make it possible.
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Thanks for sharing - I do like the way Christina puts it. It’s interesting to me, though, the need to explain pictures. And sometimes it’s vice versa too: we need visuals to explain to us the meaning of words.
For many of the same reasons you and Christina espouse, I’ve always wanted a Shaman’s Hand tattoo on my back — a silhouette of a hand with a spiral in the palm. To me, it symbolizes the cyclic nature of life as well as the inherent change for the individual.
Heya Allison,
That’ll make a cool tattoo. That’s a good point too about needing the visuals to explain words and vice versa. As soon as you mentioned a Shaman’s Hand, the first thing I did was go and Google it even though you described exactly what it’d look like. And once I saw it it spoke an entirely different language to me (albeit conveying the same meaning as the words). Archetype, maybe?
(The google image:
http://www.joysofthespirit.com.....-hand.html )
To both Allison and Chris ~
Another thing that was mentioned by a Pagan friend of mine when I referred this post to him…if you think about it, no matter how big or how complex the design, a spiral will always remain a spiral as long as you continue to follow the original path.
This is why the spiral and its continuity has been used for thousands of years as a symbol of the Earth Mother…and of that cyclic nature of life.
By the same token, because snakes are often seen coiled in a spiral, in many cultures they have in fact been adopted as a symbol or representative icon of that concept of the ongoing cycle of life, death, and rebirth. In addition, there is the fact that since they crawl along the ground, they are in constant contact with the Earth Mother.
Because it sheds its skin, the snake has long been a symbol of death and rebirth, and in the few days before the shedding, it often takes on a deathly appearance where its eyes begin to cloud over and and its skin becomes dull. In many cultures, this indicates the snake’s ability to move between the realms of the living and the dead, of crossing over from life to death and then back to life again.
I’ve always been fascinated by snakes and have even considered owning one. I once had to hop out of the tub to remove a snake from my bathroom, but that’s going off on a whole other tangent…
Also according to famous thriller writer, Eric Van Lustbader, and also a Oriential expert, it is said that East Asians perceive death as simply a part of life cycle and thus don’t live in fear because they are more concerned about how to die with elegance (honor, strength, whatever you call it) than with potential afterlife consequences.
When I saw your tattoo, I thought of yin and yang and Buddhism and all that.
And I thought of the old saying, “change is inevitable”, which goes with what Christina was saying. In other words, there are little and big deaths everywhere.
I.e., death occurs when you change schools, or let some friendships go, change jobs, etc.
And in a sense, you experienced a little death when you let go of the need to be “hearing” and shifted gears to learn ASL and Deaf culture.
Just a thought.
Great post, Chris!
I enjoyed reading what Greta Christina had to say, and I agree with her. A lot of what she says is very close to general Pagan philosophy.
Interestingly, the Ouroboros is a popular symbol in a number of Pagan traditions, particularly those of the Norse path (Asatru, Odinism, etc.) It’s also found in some of the Yoruba paths as well, and is sometimes thought to represent the goddess Oshun.
Tattoos are quite common in the Pagan Community - I sometimes think they are a mandatory requirement for initiation! In fact, I sport a tattoo myself of a Celtic knotwork design on my upper left breast.
I’ve published two posts regarding tattoos and their possible spiritual significance on my blog, and one of them includes a link to another article on this subject. The links to both are as follows:
http://deafpagan.com/2007/02/2.....e-tattoos/
http://deafpagan.com/2007/06/1.....this-blog/
Cool! Say, what’s the Yoruba path..?
Hi Chris ~
The Yoruba path basically refers to those religions which have their roots in the beliefs and practices of the Yoruba tribe, a group of indigenous peoples who originated (and are still predominately found) in the region of Africa that is now modern-day Nigeria. In a time when much of Africa is becoming more and more modernized, the Yoruba are known for maintaining many of the ancient tribal beliefs and practices which have been passed from generation to generation for centuries.
Many of the Yoruba were brought over to the new world as part of the slave tribe, and they brought these beliefs and practices with them, which then merged with the Christian (predominately Catholic) beliefs of the plantation owners. This resulted in a number of religious paths (which are generally grouped together under the name of “Yoruba”), most of which are found in South America (particularly Brazil) and the Caribbean.
Although these various religions have their differences, one common aspect is their belief in the orishas, who are the deities of these religions. One such deity is Oshun, who is believed to be the patroness of rivers, and is honored as the goddess of love and sensuality. I’m not sure exactly what her relationship to the ouroboros is supposed to be… I’m not all that knowledgeable about the Yoruba path. I do know that snakes play an important role in the Yoruba path, as they do in many indigenous cultures.
Am I the only one who just cannot even fathom getting a tattoo? To me, these tattoos usually represent aspirations, not actualities. But to others (at least those whom I’ve met), it seems to be the other way around. That probably wouldn’t bother most, but it doesn’t sit well with me.
Aside from all of that, I do like very much what GC wrote. I only wish that we could incorporate such attitude in our daily lives - at least here, in the United States. We fear loss too much - just because we perceive it to be part of the unknown.
A lot of us hold onto the past because we cherished particular moments that occurred. And with the passing of the moment, we fall into sentiment. When life doesn’t go well, one starts to reflect on the past and thinks “Gosh, if only life would be like that again..”
And so one starts to obsess about the past. Starts to dwell on it, and forgets to live in the moment. This in turn creates a separation from reality, a dissociation of sorts…. then it gets depressing.
But to understand that everything happens in one moment and is lost forever, helps to let it go, especially knowing that it happened then, and is not happening now.
The biorhythm of life occurs in cycles.. the essence of life flows through us in cycles.. as a bio, organic being, our bodies are alive as the trees are and so we are all connected to each and everything.. life flows through us all.
So without the bad, we can’t appreciate the good. And without the good, how can we understand the lessons of the bad?
Buddhists aim to achieve Nirvana in their meditation so that they can stop being reincarnated. Christians aim to go to Heaven… then our bodies decompose and feeds the Earth, heading back home because the elements of the Earth are what built our bodies in the first place..
Everything moves in cycles. Everything.
Exactly, yes. The basis of all suffering is attachment.
Off the thread, since I don’t know how to contact you, congratulations o the new book,sir!
Thanks! It’s weird to finally see it out on the market! By the way you can contact me by clicking on my picture here in DeafDC.com. A bio will appear with a link for contacting me below it…
Well i’m ophidiophobic, so I don’t care for this symbol…perhaps, pick better sybmol for the meaning of cyclicality.. Anyone?
*shrudding*
You could go with a spiral, or a symbol containing a spiral, such as the spiral hand as Allison mentions…
“shrudding”????
Do you mean to say “shrugging” (movement of shoulders)…OR…
“shuddering” (as in shivering)???