So I’m about two weeks slow on the uptake, but I’ve been watching the reaction to a federal judge’s decision that the powers that be over at the Redskins’ home stadium must caption all “aural content.” (I’m obsessed with that phrase and am gonna abuse it as much as earthly possible. Be warned.)

Find more coverage of the decision here and here.

In a nutshell, the Redskins’ people, at one point, begrudgingly said they’d caption certain things they deem important in certain places. The plaintiffs in the case weren’t prepared to have those decisions made on their behalf and pushed for equal access, importance be damned. After what seemed like forever, the judge agreed.

The response in the blogosphere has been interesting.

There seems to be quite a big to-do over one specific part of this aural content: the song lyrics. I’m not sure why it’s so provocative.

Naysayers say the song lyrics are irrelevant, and therefore the decision is too forceful. Supporters say it’s about equality and access, not relevance, and therefore the decision is appropriate.

Wow. I’ve never seen the song “Who Let the Dogs Out” invoked so much in protest. Apparently it’s ridiculous to be informed when annoying lyrics blare out over the loudspeakers.

And the ripple effect of Marc Fisher’s rhetoric is strong. You may remember his piece on Jane Fernandes back in October of 2006. Well, October must be the deaf community’s lucky month with Fisher — he’s done it again, this time admonishing the plaintiffs for having the audacity to ask what the aforementioned lyrics were. According to him, captioning things like this is a threat:

More important, however, the court’s ruling threatens every public performance by a sports team, musical group, theatrical troupe or any other artistic endeavor.

He doesn’t say just how captioning endangers the efforts of athletes, musicians, or any other sort of entertainer, other than a fleeting suggestion that the words would be too distracting to audiences.

Moving on: Julie Feldman has already responded to Fisher on this blog, pushing the “who are you to decide?” argument, and DeafMom over at disaboom also felt compelled to invoke Fisher’s column, concluding that the captioning that the Redskins must do is not only not a nuisance, it’s an opportunity for universal access — hearing and deaf alike. She writes:

If you want to talk about the real spirit behind the Americans With Disabilities Act, we’d all share the vision to equalize the access for all people with disabilities in every public arena. If we raise a generation of people with this vision, then we wouldn’t build another building without full access for all. And there would be no more lawsuits.

Coral and Opal is pretty supportive of the plaintiffs, acknowledging that it is within the plaintiff’s right to whatever aural content is available, that it’s patronizing to decide for them what should and shouldn’t be conveyed, and adding, quite eloquently, that captioning this stuff isn’t rocket science. However, he adds:

But there are two parts to every song - music and lyrics, and both mean something. And in football stadiums, the former is much more important than the latter. The lyrics are often completely irrelevant.

For example, “The Winner Takes It All” might make more sense lyrically to a deaf person at a football game than “Welcome To The Jungle” does. But just try playing ABBA to a drunk, frenetic crowd at the two-minute warning of a close game.

Okay, so the song lyrics aren’t always irrelevant. Duly noted. Would never have known if ya hadn’t told.

And of course, this post wouldn’t be complete if I didn’t include he of the “hoity-toity” usage: Paotie calls the plaintiffs’ case “overkill:”

People like Mr. Feldman belong in the handicapped section of every sporting stadium around the world. Is life so trivial to sue over a stupid game? For Mr. Feldman and the NAD, evidently so.

So what do you think? The Redskins captioning everything that goes through their speakers: Whoo-hoo! or stupid?


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